3.5星。說(shuō)不上來(lái)有多喜歡，但是相對(duì)一般的那種家庭片來(lái)講，又溫馨也算是好笑了?，F(xiàn)在評(píng)分那么高，可能也跟受真實(shí)事件啟發(fā)有關(guān)吧。還不錯(cuò)喲。

歷史的塵埃 節(jié)奏太快 人人物有的很奇怪

Weill portrays a single, green girl's helpless loneliness in a big city (it's always NYC) with such authenticity and delicacy; Susan's not selfish but only scared, of being WITH someone and making up her own calls. And that's not only the struggle of being single but also being a single woman during the 1970s after the 2nd-wave feminism movement. Yet it remains pertinent now more than ever: How hard is it to be in the counterculture when mainstream prevails? How would marriage do to friendships? What's it like to maintain the female perspective? Frances Ha's answer pales like a superficial YA novel in front of this one.

一如既往地扯...一部辛格自嗨電影…身在澳洲的我看到澳洲篇真是不停呵呵...就有點(diǎn)懂了那篇吐槽國(guó)產(chǎn)電視劇在摩天大樓里演鄉(xiāng)村愛(ài)情故事的槽點(diǎn)...這也是把印度那套老思想搬到在西方設(shè)定里而已。然而讓我感嘆的是印度如此敢于、擅于為自己打造品牌，民族自信值得我們學(xué)習(xí)。

前兩集比較平，后面可太刺激了。令我驚奇的是在經(jīng)歷了這樣的后面之后，他們回憶起開始依然是滿臉幸福，不會(huì)覺(jué)得那些美好已經(jīng)因?yàn)閷?dǎo)向悲劇而不再是真正的美好了。